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September at the Getty,



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Installation view of Power and Pathos exhibition, in the foreground left to right: Victorious Athlete, 300–100 B.C. (The J. Paul Getty Museum) and Seated Boxer, 300–200 B.C. (Museo Nazionale Romano—Palazzo Massimo alle Terme, Rome)

OPENING THIS MONTH

Louis Style: French Frames, 1610–1792

September 15, 2015–January 3, 2016 | The Getty Center
This exhibition presents exquisite carved and gilded picture frames from five periods—Louis XIII, Louis VIV, Régence, Louis XV, and Louis XVI. Drawn from the Museum's collection, the array demonstrates luxurious French design, ornament, craftsmanship, and construction and gilding techniques. This exhibition, along with other displays at the Getty, commemorates the 300th anniversary of the death of Louis XIV, France's magnificent Sun King.

Learn more about the exhibition »

Continuing This Month

Arundel Head (Sophocles?), 200–1 B.C. Bronze and copper. The British Museum. Courtesy of and © The Trustees of the British Museum

Power and Pathos: Bronze Sculpture of the Hellenistic World

Through November 1, 2015 | The Getty Center
This exhibition brings together 50 of the most important bronzes from antiquity. Typically shown as isolated masterpieces, the sculptures in this unprecedented gathering highlight the physical power and emotional intensity created in bronze by artists around the ancient Mediterranean..

This exhibition was organized by the J. Paul Getty Museum, the Fondazione Palazzo Strozzi in Florence, and the National Gallery of Art in Washington, D.C. with the participation of the Soprintendenza per i Beni Archeologici della Toscana.

Bank of America is the National Sponsor of this touring exhibition. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. The Los Angeles presentation is also supported by the Getty Museum's Villa Council, Vera R. Campbell Foundation, and the A.G. Leventis Foundation.

Learn more about the exhibition »


In the Box/Out of the Box, , 1971, William Wegman. Gelatin silver prints. The J. Paul Getty Museum. © William Wegman

In Focus: Animalia

Through October 18, 2015 | The Getty Center
Ever since the medium of photography was invented in 1839, people have been enchanted by images of animals. Drawing on the collection of the J. Paul Getty Museum, this exhibition traces the relationship between animals in photographs and the rapidly advancing technology of photography. From the wild dogs of South Africa to William Wegman's photogenic Weimaraners, animals on film are moving, sympathetic, and sometimes tragic figures.

Learn more about the exhibition »

CLOSING THIS MONTH

Light, Paper, Process: Reinventing Photography
Through September 6, 2015 | The Getty Center

A Kingdom of Images: French Prints in the Age of Louis XIV, 1660–1715
Through September 6, 2015 | The Getty Center

Andrea del Sarto: The Renaissance Workshop in Action
Through Septmber 13, 2015 | The Getty Center

Touching the Past: The Hand and the Medieval Book
Through Septmber 27, 2015 | The Getty Center

Performances

(Cast, clockwise): Justin Huen (Hason), Sabina Zuniga Varela (Medea), VIVIS (Tita), Anthony Gonzalez (Acan). Photo: Craig Schwartz

Mojada: A Medea in Los Angeles

Thursdays–Saturdays, September 10–October 3, 8:00 p.m.
Tickets on sale now | The Getty Villa

Enjoy an evening of theater under the stars at the Getty Villa!

A new adaptation by Luis Alfaro
Based on Euripides's Medea
Directed by Jessica Kubzansky
Produced by The Theatre @ Boston Court

Experience an innovative reimagining of Euripides's Medea, transported to modern-day East Los Angeles, in an outdoor venue modeled after ancient Greek and Roman theaters. Medea's struggle to adapt to life in the U.S. takes a disastrous turn when old and new worlds meet in the City of Angels. Tickets $36–45.

Learn more and get tickets »

Round out your evening with a variety of dining options, ranging from a la carte and hors d'oeuvres to a specially designed three-course menu »

Mac McCaughan. Photo: Lissa Gotwals

Saturdays Off the 405: Mac McCaughan + The Non-Believers

Saturday, September 19, 6:00–9:00 p.m. | The Getty Center
Iconic indie-rocker Mac McCaughan is known for his signature impassioned vocals and buzzy guitar as a founding member of the intrepid Chapel Hill–band Superchunk. McCaughan appears at the Getty in support of his deeply personal solo record of gorgeous pop songs, the first released under his own name in his 25-year career. Free, no ticket required.

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Talks

Weary Herakles (detail), A.D. 1–100. Bronze, copper, and silver. Museo Archeologico Nazionale dell'Abruzzo Villa Frigerj. Su gentile concessione della Direzione Regionale per i Beni Culturali e Paesaggistici dell'Abruzzo: Soprintendenza per i Beni Archeologici dell'Abruzzo—Chieti

Ancient Bronzes as Art Objects: Roman Collectors and "Corinthian Bronzes"

Wednesday, September 2, 7:00 p.m. | The Getty Center
Chris Hallett, professor of Roman art at UC Berkeley, explores how the collecting of ancient bronzes by wealthy Romans impacted the form and use of statuettes known as "Corinthian Bronzes." Free, advance ticket required.

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The Scribe Petros and his Pupils (detail), 1386, Unknown, Armenian. Black ink and watercolors on paper bound between wood boards covered with dark brown kidskin. The J. Paul Getty Museum, Ms. Ludwig II 6, fol. 13v

The Once and Future Book: On the Nature of Reading

Sunday, September 20, 3:00 p.m. | The Getty Center
How has reading changed from the Middle Ages to the latest digital technologies? Did readers of manuscripts have a different relationship to the written word than readers of tablets and iPads? Kathryn Rudy, senior lecturer in art history at the University of St. Andrews, Scotland, and Steve Wasserman, editor-at-large at Yale University Press, discuss the nature of reading-—past, present, and future. Free, advance ticket required.

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Paul Goldberger. Photo: Michael Lionstar

Building Art: Paul Goldberger and James Cuno on Frank Gehry

Sunday, September 27, 7:00 p.m | The Getty Center
Paul Goldberger, the Pulitzer Prize–winning architecture critic, and James Cuno, president and CEO of the J. Paul Getty Trust, discuss Getty Medal recipient Frank Gehry. Goldberger's new biography, Building Art: The Life and Work of Frank Gehry, goes beyond the buildings that have transformed contemporary architecture to consider the man, his life, and his creative genius.

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Courses

Trompe-l'œil Drawing Workshop

Saturday, September 12, 1:00–4:30 p.m. | The Getty Villa
Learn how to create a composition using perspectival and optical illusion that suggests a three-dimensional space with artist Elmira Adamian. The technique of trompe-l'œil (French for "deceive the eye") dates back to antiquity and was often employed in frescoes. Explore the wall paintings at the Getty Villa and create your own illusionistic drawings with pastels. Open to 24 participants. Course fee $45 (includes materials). Complimentary parking. Advance ticket required.

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Portrait of a Man, 100–1 B.C. Bronze. Soprintendenza per i Beni Archeologici di Napoli. Su concessione del Ministero dei Beni e delle Attività Culturali e del Turismo - Soprintendenza per i Beni Archeologici di Napoli - Foto Giorgio Albano

Portrait Sculpting: Power and Pathos

Sunday, September 20, 10:30 a.m.–5:00 p.m. | The Getty Center
Join Peter Zokosky for a daylong intensive portrait-sculpting workshop inspired by the power and beauty of Hellenistic bronze sculptures. Sculpt a half-scale portrait head from a live model. Technical guidance, methods, tools, and materials provided. Each participant will take home a sculpted head in non-drying, oil-based clay. Appropriate for all levels from beginners to experienced sculptors. Course fee $135 (includes materials and lunch). Complimentary parking. Advance ticket required.

Get tickets »






For a complete list of daily activities at the Getty Center and Getty Villa, please see our event calendar »

From The Getty Store

The Colorful World of Irises

This twist-barrel, refillable ballpoint pen, in a handsome velvet-lined gift box, features a detail from one of the J. Paul Getty Museum's most popular paintings: Irises by Vincent van Gogh. Each one of Van Gogh's irises is unique. He carefully studied their movements and shapes to create a variety of curved silhouettes bounded by wavy, twisting, and curling lines.

Shop more items inspired by the collection now »







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어느 선술집 벽에 있는 낙서/일본

일본에 주재원으로 23년 살다온 친구가 12월 초에 일본으로 여행을 갔다가 어느 선술집 벽에 있는 낙서를 사진으로 찍어서 번역해준 건데 웃기면서도 의미가 심장합니다. 여러분과 공유하고 싶습니다. 두 줄 읽고 웃고, 두 줄 읽고 무릎 치고... 와, 뭔가 조금은 통달한 '꾼'이 끄적거린 거 같습니다. <18 81="">  사랑에 빠(溺)지는 18세  욕탕서 빠(溺)지는 81세  도로를 폭주하는 18세  도로를 역주행하는 81세  마음이 연약한 18세  온뼈가 연약한  81세  두근거림 안멈추는 18세  심장질환 안멈추는 81세  사랑에 숨막히는 18세  떡먹다 숨막히는 81세  수능점수 걱정하는 18세  '혈당/압'치 걱정의 81세 아직 아무것 모르는 18세 벌써 아무것 기억無 81세  자기를 찾겠다는 18세  모두가 자기를 찾고 있는  81세. ———-!———!—— 몸에좋고 인생에 좋은 피자 열판 보내드립니다. 계산은 제가 하겠습니다. 허리피자 가슴피자 어깨피자 얼굴피자 팔다리피자 주름살피자 내형편피자 내인생피자 내팔자피자 웃음꽃피자 오늘부턴 신년까지 늘 웃음과 행복한 일만 가득하세요.**

🌶 고 추 장  🌶

🌶 고 추 장  🌶 고추장에 관해서 특별한 체험이 있다. 뜻하지 않게 갈비뼈가 부러져 응급실에 실려갔을 때의 일이다. 한개도 아니고 열개씩이나 골절되어 꼼짝달싹을 못하고 아편으로 통증을 겨우 견디고 있었다. 그런데 혈압이 올라가고 혈당이 올라가 혼수지경에 이르니 보통의 문제가 아니었다.   아내도 어떻해서든지 날 살려보려고  정성을 다해 음식을 해왔지만 모두가  헛수고일 뿐이었다. 나 또한 집사람을  혼자 살게 만들면 천벌을 받겠기에 열심히 음식을 먹으려 애를 썼지만 구역질만 더 할 뿐이었다. 여행다닐 때 고추장 단지를 꾀차고 다니며 햄버거에 발라먹던 생각이 나서 고추장을 가져다달라고 부탁했다. 고추장을 죽에 넣어 먹으니 신통하게 잘 넘어가는데 그 맛 또한 기가막혀 부글거리는 뱃속까지 편안해졌다. 덕분에 문병오는 사람마다 고추장 단지를 가져오는 바람에  고추장 벼락을 맞을 지경이 되었다. 그 후로는 고추장 단지가 내 식탁에 주인이 되었다.   고추장에 무슨 성분이 들어 있고 무슨  작용을 하는지는 몰라도 신통하기 짝이 없었다. 소태 같던 입맛이 꿀맛이요,  구역질도 잠잠해지고 느글거리던  뱃속까지 고분고분 고추장말을 잘 들으니 과연 고추장의 위력이 대단하다. 내 미국 친구들이 겨울만 되면 단골처럼 감기로 골골대고 있을 때 나는 감기가  뭔지도 모르고 지내고 있다.  그들이 날보고 너는 어떻게 감기 한 번 안걸리냐고 묻는다. 그때마다 "내가  건강한 것은 김치 파워야.  너희들도 김치를 먹어라." 하고  자랑을 했는데 이제는 고추장의 효능이 또 하나의 자랑거리가 되었다. 어린 아기를 달랠 때 호랑이 나온다 하면 뚝 그치고, 순사 온다 하면 뚝 그치듯이 뱃속이 앙탈을 부리면 고추장 먹는다  하면 조용해 질 것 같다.  고추는 남미와 아프리카가 원산지란다. 고추의 매운 맛은 알카로이드의 일종인 캡사이신 때문이란다. 이 캡사이신이  자극을 주어 발효작용을 해서 감기 열을 내리기도 하고 위도 자극해서 위액 분비를 촉진해

우리 아버지 마음 (실 화 (實話))

우리 아버지 마음 (실 화 (實話)) " 헤아릴수 없는 아버지의 마음 !" 나의 고향은 경남 산청이다. 지금도 첩첩산중에 상당히 가난한 곳이다. 그런데도 나의 아버지는 가정 형편도 안 되고 머리도 안 되는 나를 대도시 대구로 유학을 보냈다. 나는 대구 중학을 다녔는데 공부가 정말 하기 싫었다. 1학년 8반에서 나의 석차는 68/68, 68명 중에 꼴찌를 했다. 지독하게 부끄러운 성적표를 들고 고향으로 가는 어린 마음에도 그 성적표를 부모님께 내밀 자신이 없었다. 무학의 한을 자식을 통해서 풀고자 했는데, 맨 꼴찌라니...! 끼니도 제대로 못 잇는 소작농을 하면서도 아들을 중학교에 보낼 생각을 한 부모님을 떠올리면 도저히 그냥 있을 수가 없었다. 그래서 잉크 지우개로 기록된 성적표를 1/68, 1등으로 고쳐 아버지께 보여 드렸다. 아버지는 초등 학교도 못다닌 무학이므로 내가 1등으로 고친 성적표를 알아차리지 못할 것으로 생각했다. 대구로 유학한 아들이 집으로 왔으니 친지들이 몰려와 말했다. "찬석이가 공부를 잘했더나 ? 아버지가 말했다. "앞으로 두고 봐야제, 이번에는 우짜다가 1등을 했는가배...!" "아들 하나는 잘 뒀구먼, 1등을 했으면 잔치를 해야제!" 그 당시 우리 집은 동네에서도 가장 가난한 집이었다. 이튿날 강에서 멱을 감고 돌아 오니, 아버지는 한 마리 뿐인 우리집 돼지를 잡아 동네사람들 모아 놓고 잔치를 하고 있었다. 그 돼지는 우리 집 재산목록 제 1호였다. 기가 막힌 일이 벌어진 것이었다. "아부지 ~ !" 하고 불렀지만 다음 말을 할 수가 없었다. 그리고는 밖으로 달려나갔다. 등 뒤에서 나를 부르는 소리가 들렸다. 겁이 난 나는 강으로 가서 죽어버리고 싶은 마음에 물속에서 숨을 안 쉬고 버티기도 했고... 주먹으로 내 머리를 쥐어 박기도